Author: Paris Balla

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Faith – A New Year’s Message from Radio Monash

Our Live Music Director for next, Paris Balla pays tribute to the late and great George Michael with this stunning cover of a classic in our final video for 2016.

Radio Monash would like to wish all its members the happiest and safest of New Years – and can’t wait to continue bringing you the best in student generated content throughout 2017. 2016 has been a year full of trails and tribulations; both for the station and the world – but it has also been a year of prosperity, and with every challenge has entailed an opportunity to learn and grow.

We can have faith in the future, only by having faith in ourselves.

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THEATRE REVIEW: Monash Shakespeare Company’s “Twelfth Night”

EDITOR’S NOTE: The editorial staff at Radio Monash would like to make it clear that the writer of this article was involved, in some capacity, with the pre-production of the musical. Though we trust that this does not influence the writers judgement, the team at Radio Monash feels as though this statement is needed for the sake of transparency and proper ethics.

William Shakespeare’s Twelfth Night is a classic tale of romance, scheming and mistaken identity. Twins Viola and Sebastian are separated in a shipwreck, both assuming the other to be dead. Viola dresses up as a boy and falls in love with Duke Orsino, who is in love with Olivia, who, thinking she is a man, falls in love with Viola.

The Monash Shakespeare Company’s production of the bard’s story was brave and creative. While it had some truly hilarious moments of physical comedy, homage to the text felt lacking at times. Although ultimately entertaining, many aspects of the performance didn’t quite “fadge.”

One may think that the story of Twelfth Night is complicated enough as is, which is possibly why the slightly misguided choice to introduce the concept of time travel into the narrative just didn’t work. Aside from making a play which is already difficult to follow at best of times more complicated, the set itself was poorly designed. The large time machine in the centre of the stage took up a lot of space, rendering a large part of the small performance area unusable. Considering the time machine was only used three times throughout the show, the restrictions its presence imposed makes it difficult to justify. Read more …

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THEATRE REVIEW: Beaumaris Theatre’s “Avenue Q”

Remarkably unprepared I walked into the Beaumaris Theatre having not so much as googled the synopsis of “Avenue Q”. Billed as a twisted version of Sesame Street for adults, the show takes place in a street of the same name in which puppets, monsters and humans live together in harmony, more or less. Our central character Princeton, played by the incredible Josh Pratt, arrives on the street having recently completed his BA in English and at a point of cross-roads in his life unsure of where his life will take him. “Avenue Q” explores the life of your typical 20-something graduate entering the real world, a first look at real adulthood, navigating love, money and finding a purpose in life. The musical teaches us that sometimes life sucks, through plenty of painfully relatable misfortunes presented as humorous musical acts, puppetry and a hilarious script. Read more …