If you constantly find yourself on a budget and bored on a Sunday afternoon, say no more, the National Gallery of Victoria has your back and have curated an epic summer line up of wonderful Melbourne musicians to keep your musical tastebuds satisfied. These events invite people of all ages, to come and hang out in the NGV’s luscious backyard and see some of Melbourne’s upcoming bands and DJ’s perform under the mesmerising stained glass roof of the gallery, whilst also being able to check out some cool art, entirely for free. To kick off this summer series, the lovely Gabriella Cohen took to the stage to enchant her audience with her playful and energetic set. Read more …
Following Birds of Tokyo’s channel ten sports-montage-anthem ‘Lanterns’, to say the band had fully embraced pop-rock success would have been a fair assessment. Rarely does a band make a record like ‘March Fires’ and then emerge two years later with something entirely different. During the ‘Lanterns’ era, many would not have guessed the next Birds of Tokyo album would be hell-bent on channelling anger, disillusionment and general vitriol at the state of the modern world. Read more …
The word funk gets thrown around as inappropriately as alcohol at a sixteenth birthday party. You think over-consumption is cool at the time, but slowly you grow up and mature, take responsibility and eventually learn to walk the walk. With “Worlds”, K-lab is definitely walking the walk.
Groove oozes all over this record. Hip Hop sythphonic out of space trip, with plenty of variety featuring drum and bass, dubstep and punchy beat stabs you’ll find on track’s like ‘Don’t lose yourself.’ Yet with all the electronic influence, reminiscent of the 80s, combined with classic, palm muted guitar licks still maintain serious soul, a core ingredient to the funk. Read more …
Round up your emos, it’s time for a crying sesh. Hailing from Melbourne, Tiny Little Houses may as well be sailing around the world in nothing but an ocean of their fan’s tears from the stellar release that is Snow Globe. I say this, because the EP holds no respite from the doom and gloom that surrounds our everyday menial existence. This EP however, differentiates itself from it’s predecessor, You Tore Out My Heart (2015) significantly through it’s intense deliberations with a darker side, both lyrically and sonically. Grappling with a heavier, fuzzier sound, singer, Caleb Karvountzis, swirls and twirls his audience through the pitfalls of humanity and the consequences of taking risks in relationships or in the wider society.
Alicia Keys has been an all-time favourite artist of mine since I was a young-un, and I’ve loved following her progress alongside my own musical endeavours. Her songs are heartfelt, raw and passionate, with this natural feel drawing both from her craftsmanship as a songwriter and a pianist. Hence, her latest release ‘Blended Family’ brought me great excitement, in anticipation for her new album being released November 4th!
The long-awaited sequel to Irish poppers Two Door Cinema Club’s 2012 smashing album Beacon, releases this Friday (14/10/2016). With 2010’s Tourist History obliterating people’s expectations for indie pop, and its follow-up, the aforementioned Beacon, solidifying the band’s consistent reputation for obliterations of the mould and listener’s assumptions, ensured the band’s restricted and small discography would be remembered as a placeholder for modern indie-pop and indie-disco.
Given his feature verses as of late have been as brilliant as they are sparse, I admit my interest in this record was piqued by the featured André Benjamin (better known as André 3000 of Outkast). Recent murmurs of a new Outkast album coupled with the aforementioned rarity of his musical output have rendered any André guest verse the hottest clickbait in hip-hop. But where most clickbait leaves you scrambling desperately to escape the browser tab, the song Decemba (Remix) had me engaged for its full 3 minute and 49 second duration. Read more …
LA pop rockers, Bleached have continued to wow audiences on their ongoing tour of Australia in promotion of their second album, Welcome the Worms. This is the first time that the trio: singer, Jennifer, lead guitarist, Jessie and bassist, Micayla have crossed our shores and hit up Melbourne’s renowned Northcote Social Club on the 30th of May.
A Bourke Street Mall busker, Tash Sultana has truly taken the world by storm. She is currently on a massive Australian tour (after an eventful luggage mishandling incident that made global news), and is set to become a major name in Australian music. So for those of you who have not seen her fantastically engaging and charismatic sets in Bourke Street, I strongly suggest you check out her EP Notion.
I don’t know what Australian musicians have been up to recently, but it seems every second artist is changing their stage name. Even the Melburnian jazz scene has gotten into the mix of this “evolution” la-di-da, with a fusion quintet that came to my attention earlier this year pulling a “Prince” manoeuvre, to change their name from ‘Pilot’ to the increasingly vibrant, but also confusing ‘Neon City Pilot’. But despite all the befuddlement that comes with changing a name, the group has just launched another incredible release, with their debut album Ghost Wings.
The name has been prominent in Australia’s independent electronic music scene for a while now, and from the moment they released their first single Listen to Soul, Listen to Blues in 2013, it has been well and truly evident that these guys are nothing like any other band out there. Characterised by strong beats, pulsing synths, catchy riffs and melodies, and vocalist Ben Woolner’s unique soul-tinged voice – at times powerful, at times light and husky, with a vocal range that jumps around between tenor to falsetto with seeming ease.
Despite having only released five singles prior to this year, three of these five have made Triple J Hottest 100 countdowns and the band has had no trouble selling out headline shows across the country and flooring crowds at music festivals such as Groovin’ the Moo.
It goes without saying then that the anticipation for an album has been around for a very, very long time; well before making one was even alluded to, yet alone actually announced. However, the excruciatingly long wait is finally over with today’s release of their long-awaited masterpiece: Internal. Read more …
I’ve been a Cat Empire fan since their hit ‘Hello’, and have loved their distinctive Australian take on ska and jazz. The Cat Empire have toured the world countless times, and their music is loved internationally for the band’s stupendous brass lines, keyboard finesse and thrifty use of vinyl scratching. Front-man Felix Riebl has been the mastermind behind the majority of the band’s success, with his charismatic performance style and intelligent song-writing.
But, following on from the band’s successful 2016 album Rising with the Sun, Felix has decided to go solo once more and release a second album. Paper Doors, released 2nd September 2016, may be short (totalling only 37 minutes), but certainly has a great variety of content. With guest artists including the likes of Emily Lubitz, Katy Steele and Martha Wainwright, it is certainly nice to hear a more intimate canvas for Felix to sing with.