Apparently, if you believe the media, dubstep has a saviour and electronic music has a new wunderkind. His name is James Blake. The Londoner released a couple of EPs in 2010 to widespread acclaim. Blake looked set to crossover to the mainstream when the album dropped. However, now that it’s here, the feeling is underwhelming.
Blake fortunately refused the obnoxious “wubwubwub” bass lines that are being generically tagged to his genre, opting for a more paired-back, minimalist approach. Whilst this works for certain tracks (Album highlights ‘Wilhelm Scream’ and the truly stunning Feist cover ‘Limit to your Love’), throughout the album, it tends to wear. The album starts to blend together (‘Lindesfarne I’ blends into ‘Lindesfarne II’ on purpose) and it starts to drain the listener. Tracks such as ‘Measurements’ and ‘I Mind’ would have been benefited by a slightly more full, richer production.
Production is not Blake’s only forte: his stunning croon is a constant star, shining throughout the album. ‘Unluck’ and ‘To Care (Like You)’ show true emotion on what can come across as bland tracks. Unfortunately, Blake has a tendency to apply a filter or effect to his vocals (often doing this with multi-tracked vocals) which is a shame. This is either because he’s too shy to demonstrate the full capacity of his voice or this is Blake precociously over-producing himself (this reviewer’s money is on the latter). Whatever it is, it doesn’t work.
The album truly does fall between the hype of the media and the blogosphere and the perennial ‘haters’. Blake certainly does have talent; anyone who listened to the ‘CMYK’ EP knows this. The album shows flashes of this brilliance and indicates there will be a future for him. However, the flashes of brilliance are drowned in a sea of tedium and filler; led by Blake’s ability to sound over-produced AND under-produced at the same time. It’s like the art-school kid who takes 82 photos of a pair of shoes for his assignment, it’s cool and arty, but he’s really just a hipster with an SLR.
James Blake isn’t the messiah dubstep is looking for. That’s Mount Kimbie.
Blake’ll give them a run for their money, though. Just you watch.