Lasers is Lupe Fiasco’s third attempt at an album in the last four years. He postponed both LupE.N.D and The Great American Rap Album to make Lasers. While his new album does have a few strong moments, at points you wonder whether it would have been better to release one of the others.
There are a number of well-balanced tracks on Lasers, but its producers smother half of the album. Too many guest vocalists providing corny or sugar-sweet also bring the album down.
‘I Don’t Wanna Care Right Now’ and ‘Beautiful Lasers’ are autotuned into submission, which is unfortunate because these tracks see Lupe rapping as well as he ever has. ‘All Black Everything’ is busily produced, but not overcrowded. It also sees Lupe reassert his strong views on racism in America; “We just close our eyes until it’s all black, everything.”
There are moments in Lasers where the heavy production compliments Lupe’s vocals. In the first single ‘The Show Goes On’, producer Kane Beatz works Modest Mouse’s ‘Float On’ into a clever hook. ‘Words I Never Said’ is another standout track. Alex da Kid’s low and rocking glitch-hop provides a foundation for more of Lupe’s politically charged lyrics, arguing that “the war on terror is a bunch of bullshit, just a poor excuse for you to use up all your bullets”.
A few piano-grooves are scattered throughout the album (‘Til I Get There’, ‘Coming Up’ and ‘Never Forget You’), providing some of the highlights. This lighter production much better suits Lupe’s style of rapping.
Lupe is still a talented lyricist and rapper, it’s just a shame that Lasers has been marred by several poor production choices and unnecessary choruses. Open-minded fans of Lupe Fiasco’s two previous albums will be able to overlook some of these obvious flaws and find a few excellent tracks in an otherwise passable album.